Integrity of artistic image for writing an analysis of literary work

Consciousness can work as a psyche, as well as the psyche as a awareness. As being a basis, the prerequisites for artistic imagination, these sides are inseparably in principle. In technology, we count on a consciousness that operates with essences, trying to eliminate feelings and experiences. In art and literature, emotion contains thought, in idea – emotion. The image is just a synthesis of consciousness and psyche, thoughts and feelings.

What’s the basis for artistic creativity in literary analysis?

This appears to be the real basis of creative imagination, that will be feasible only because consciousness and psyche, being autonomous spheres, are at the exact same time inextricably linked. It really is impossible to decrease the image towards the concept (towards the goal of the ideas): we ought to distract ourselves from thoughts. To lessen the image to direct experience methods to « not notice » the turnover associated with the psyche, its power to be fraught with thought.

Nonetheless, the integrity associated with image isn’t just a sensually perceived thought (concept). The image is certainly not yet an easy method associated with the existence of simultaneously several ideas (a system of principles). The image is fundamentally multivalued, it simultaneously contains aspects that are several. Science can perhaps not pay for this. Ideas reduce an object (sensation) to 1 aspect, as much as one moment, deliberately abstracting from all others. Science explores phenomena analytically with subsequent synthesis, exercising most of the brief moments of interrelation. Art, however, thinks with regards to the definitions. Furthermore, the clear presence of the sum of definitions is an essential condition for the « life » associated with artistic image. It’s impossible to decide what is the meaning that is true what is the « more important » meaning.

Concept of artistic notion of literary work

Theoretically, artistic content may be paid down to a clinical, to a logically developed system of concepts. However in practice that is impossible, which is not necessary. Our company is working with the abyss of meanings. Even throughout the dilemma of the look of new overtones that are semantic new deep definitions, about « self-production » of definitions in traditional works. Since a work may be comprehended into the end only if the absolute rational unfolding of images is realized, it could be argued that the data of a highly artistic tasks are an endless procedure.

Therefore, the image is indecomposable. Its perception is only able to be holistic: as an event of idea, as a sensually identified essence. Which is why the analysis that is scientific of work is a « double general » cognition of creative integrity: besides that the inexhaustibility of meanings can not be paid down to a method, with such cognition, the sufficient perception of feelings – empathy – is kept out from the brackets.

The maximum full perception associated with object that is aesthetic constantly multifaceted:

  • empathy,
  • co-creation,
  • way of integrity through systematic dialectical logic.

Just What provides the richness up to a work that is literary?

This will be an aesthetic (indistinguishable) perception. It will always be one-time, one-act. Completely aware of the fact the integrity of a thing of beauty can’t be exhaustively described within the formal language of science, we come across just one approach to medical comprehension of the integrity: it should be studied as a system that has a tendency to its restriction (this is certainly, ag e changing into its opposite). The literary critic does not need to do just about anything else, like analyzing a work supposedly as a system, keeping constantly at heart it is maybe not the machine, but integrity. Another intuitive method of product is achievable, and also necessary, however it is maybe not taught. These approaches must certanly be mutually complementary, not exclusive. It will additionally be borne at heart that any artistically reproduced image of the entire world normally a reduction (the entire globe can never be mirrored). To be able to reproduce the paid off picture of the world, generate a « model of life », a certain code that is artistic needed. This rule should so lessen the global world, such that it is achievable to express the writer’s worldview. Such code cannot be a picture by itself. A holistic creative image with all its unique possibilities continues to be just a way, an easy method.

What’s the richness associated with the image? The solution, apparently, can only be one: an individual.